Back to the Drawing Board with Gary

Sketch Card Set: Island Dreams

Here are a few of my cards for the sketch card set, Island Dreams available November 1st.


In 2011 Marty Kuklinski of WLRA’s Saturday mornings Big Burrito Radio came up with Island Dreams, a tropical themed sketch card set, the sets sold out in less than a day and we raised $2000 for the charity. So far the charity set has raised over $15,000!!  

This year the set is the girls of the island. Each card pack will contain a deck of playing card (yes, real playing card) as well as 2 hand drawn sketch cards by one of our great Island Dreams artists. So get ready for some great artwork to support a great charity!

Artist List (Subject to change)

William BJ Kunkle

Michelle Lewis

Jon Riggle

Kylie Johnston

Del Perry Nayra

Jeff Sornig

Scott Glenn

Walter Rice

Christopher Chamberlain

Jenny Creech

Mel Uran

Chris Zarichansky

Bien Flores

Lynne Anderson

Johnny Townsend

J(ay)

Ryan van der Draaij

Wu Wei

Jeff Abar

Nikole Jones

Anastasia Catris

Amy Fletcher

Clinton Yeager

Dani MacMullen

Robin Mies

Diana Greenhalgh

Laura Ingils

Cayce Moyer

Paul Cowan

Lily Z Mercado

Jason Durden

Drew Lopez

Chris Foreman

George Leon

Chris Thorne

Dianne “Greenwoman” Wickes

Natalya Tasha Nez

Brooke Safken

Jason Shoemaker

Jesse Hughes

Prassedes Ciappolino-Williams

Alfret Le

Barush Merling

Rivana Art

Mohammad Jilani

Terry Pavlet

Alex Riegel

Mark Martino
Christina Ranburger

Sal Galindo

Solly Mohamed

Pierre Beauchemin

Jonty Gates

Elisa Chong

Kevin Munroe

Matt Slusher

Christina Baker

Rusty Gilligan

Stephanie Rosales

Jenni Gregory

William Withers

Helga Wojik

Kate Carleton

Louis Small Jr.

J. Ryan Abney

Huy Truong

Vincenzo D’Ippolito

Norvierto P. Basio

Elfie Lebouleux

Dani Hoy

Shane McCormack

Gary Rudisill

Chris Papantoniou

Merryalina Drew

Jon Rademacher

Michael Sumislaski

Randy Kintz

Sharon Gauthier

Matthew Stewart

Elias Gambet Melendez

Kelly Greider

Aaron Beylerian

Courtney Rose Hennessey

James Morgan Jr.

April Goulart

Alfredo Galicia

Isabelle Angell

Jose Carlos Sanchez

Luro Hersal

Linda van Ballegooijen

Ben AbuSaada

Katie Cook

Robert “Floydman” Sumner

Tutorials and Posts

Making of Crissy Gold Card Step by Step

This is a double size ACEO card.  (3.5″x5″) done completely with colored pencils.   I normally use paints or markers for an under painting but on this I wanted to just try out straight up colored pencils.
 Started with the outline in light graphite. Added some flesh tones and shadow areas.
More flesh tones and shadows. When using colored pencils, I use a lot of colors to get the flesh tones right.  I don’t have any specific colors I use.  I do tend to use a brownish red and a golden yellow/  I determine what colors after studing the reference picture.  Depending on the lighting dictates the color direction I will be using.
Now, I am just relayering the midtones and shadow to give it contrast.
Using the reference pic, I decide to use the same brown in the sweater.
Adding red to the flesh being careful not to over due it.  Too much red would make Crissy look like she has a sun burn.
Now onto the hair.
Adding red to the sweater and working on the hair some more.
Here is the final
How To's

Miraculous Lady Bug Step By Step

It all starts with a rough that turns into a sketch.  I use the red because it glides across the paper and gives me nice curves.  When I am satisfied with the sketch I transfer it to Grey Toned paper.  I’ve been wanting to try the colored pencils on the toned paper.
With a nice light pencil line so that it can be easily erased, I start with flesh tones.  Luckliy, Lady Bug only has her face showing, which makes it easy to experiment with the flesh color.  I tend to get the flesh colors a little too red, so this was a great project to experiment on.
Now, the eyse and her mask.  I have been playing around with a manga style for the eyes.  The mask has about 3 shades of reds. Her eyelashes are done with my brush pen.
Now, this was the most laborous part…alll that red!  I really paid attention to keeping the highlights the paper color so that I’m not trying to over use the white pencil.  Threw in some purples and blues to get the shadows.
Finally, the hair.  I used purples and blues along with the black and greys.
I use a white colored pencil to burnish and blend the colors.  Sometimes I use a coloreless blender, but I find in the sections with highlights it’s helpful to just use the white pencil.
How To's

Tauriel Step by Step

I start with a light pencil sketch. Since I do a lot of my work with graphite, I try to keep from getting to much shading with the pencil.  You only want to really add the shadow areas.  Then I add a very light coat of fixitive to hold the graphite.
I free hand the first flesh color, not too worried if the color runs into the hair.  Focusing on the shadows and midtones.  Pay close attention to the highlight areas, this saves a lot of time so you don’t have to try and pull out the highlight areas with an eraser.  Plus, the more of the board you have the more realistic the hightlights look instead of trying to do a ton of erasing or trying to use white over top. As you can see, I got a little heavy over the ear,  this is going to be a challenge to fix.
Adding in some pink, going into the shadow areas, the eye lids and the lips. Again this is all freehand. I also come in with an eraser pencil to pull out some of the highlights.
Now I start adding some background with a regular brush. And then a little to the sky area with the airbrush.
Adding some more pink to the face to add volume to her cheeks.
Now, I come in with colored pencil to keep the hair detailed and seperated.
A little more fine tuning with the colored pencils in the ears and around the eyes
Colored pencils in layers to color in her jacket.  I concentrate on the eyes, nose, mouth and ears with the colored pencils. I use a lot of light layers with the colored pencils.  I figure you can always add more but have a hell of a time trying to take it away.
Adding in white highlights and strands of hair with a regular brush. Detailing some final touches like the lips.  And this is finished.
Here is the final. I painted the border black to cover up the overspray because I didn’t think to mask it first. 
commissions/freelance · Uncategorized

Making of Crissy Moran Galan Gold Card

This is the pencil drawing. Drawn right on the card stock with graphite pencils.  I sprayed a very light coating of Workable Fixative.
Instead of watercolor or markers I wanted to experiment with airbrush on this particular card stock using ComArt Paints.
Now that the airbrush work is done it’s time to start working in the colored pencils.
More colored pencils evening out the flesh tones
More colored pencils. Working on highlights in the flesh and starting on the hair. (I found better lighting for the pictures they were looking reddish)
I use quite a few layers of colored pencils. Just so you know, I use a burnishing technique when using colored pencils.
If you haven’t noticed, I’ve been working on the hair. Colored pencils go dull fast so I spend a lot of time sharpening. I sharpen with a utility knife to cut away the wood and sand paper to file the pencil to a point.
Adding in the highlights and finishing touches to the hair and bathing suit.
Working the background a little
The Finished Piece